“Dull Scandal” – The Word Pool Prompt for May 15, 2026.
Using the word pairing, write a sentence, a story, a poem, or draw a sketch, paint a picture. Set your mind free and create. Post it here. Post it there. Post it wherever. Only, please tag it #thewordpool so I can enjoy it with you. Happy creating!
Here is Mine – Total Freewriting:
Dull Scandal
The crime was intolerably predictable. The atypical crime of passion where boy meets girl. Girl doesn’t want boy. Boy sees girl with another boy. Boy kills new boy. Girl ‘shocked.’ Blah, blah, blah. Sally steps over the body on the ground, seeing his face, taking mental notes, some she jots in her notebook. The ones she must note – his eyes still open, a slight smile on his face. His death was sudden, unexpected. Surprised were you? The girl stands nearby, so Sally steps to where the girl is. Her appearance says she was date-bound, ready for a night on the town with the new boy. Her tears brought no empathy to Sally. With forced concern, Sally said, “I’m sorry, Miss. But I need to ask you a few questions.”
The girl doesn’t even try to wipe her eyes, just looks at Sally, and instead of asking a question, in discomfort, Sally says, “I’ll ask in a few minutes.” She has to walk away. She cannot bring herself to care about this dull scandal playing out on this sidewalk in front of three-story brownstones. She does not care about this mess these people created – her own life is falling apart, and she cannot tell a living soul.
They said to tell no one.
They said if she does, her mother will die.
They said to bring the money on Friday. Noon. At the little diner near the wharf – like some scene out of an old mobster movie. She doesn’t have that kind of money. She’s a cop, for gosh sake. Who do they think she is? And why take her mother? Her mother never hurt anyone. It was her; it was Sally. It is me. I’m the one you want. She took a bribe out of greed, and now, they won’t leave her alone. Every week, a new task and the threat to out her to the force. Tuesday, she’d said no more. Wednesday morning, her mother went missing. Thirty minutes later, the threats began. Tell no one. Bring the money. You know where to get it.
Her phone buzzes in her pocket.
Sally takes it out. The message reads, “Go inside the house. There’s a safe. You know how to open it.”
Sally’s skin crawls – shivers roam over her, up the back of her neck, and she looks around at the scene. The girl standing in the same spot. Same crocodile tears. The body still lying on the ground. Other cops milling around, taping off the scene, asking neighbors questions. No one notices her move toward the house. Invisibly, she makes her way toward the front door.
“Hey, Sal!” Tony, her sergeant, calls out her name.
“Yeah?” she says.
“When you get a minute, question the suspect. He’s in Tom’s cruiser.”
“Yes, sir,” Sally says – her hand just touching the doorknob, lets go, and her phone buzzes again.
The message reads, “Go inside the house. You know what to do.”
“Sir,” Sally says to her sergeant. “The house needs swept. Might be someone inside.”
The sergeant looks at her, shrugs his shoulders, and then yells to Timmons, “Timmons, question the suspect. He’s in Tom’s cruiser.” Then, to Sally, he says, “Go ahead, Sal.”
She turned the knob. Her heart racing in her ears. Her phone buzzes.
“Quick thinking, Sal. Now, go upstairs.”
Gingerly, she takes the stairs, not knowing if the house has been swept for other potential players in the drama outside, which now does not seem like such a dull scandal. Now, she’s wondering if this isn’t somehow because of her. Who lives here? Who is the girl?
Another text. “The bedroom at the end of the hall. There’s a safe behind a painting. Open it.”
Sally walks softly, praying no one finds her, no one hears her. Photographs line the hallway, and she sees unfamiliar faces in them all until halfway down the hall, the face of her father in a portrait with another family. Standing tall behind a woman and three children, all young in the photo, but no mistaking it, that is her father in the picture – smiling ear to ear. What the hell? She looks back at the photos she has already passed. Same faces of the woman and the children at various ages, her father in the background of several of them – she’d just not noticed coming down the hallway with her heart pounding in her ears. She inches forward, unable to take her eyes off the walls – the girl outside is one of the children in the photos. Her sister? No, it can’t be. She reaches the end of the hallway and opens the door.
Strapped to a chair in the corner, mouth gagged, is her father. His eyes widen at the sight of her, and she freezes to the spot, looking around the room for another person, for danger, for the painting. Her father grunts at her through the gag, and she rushes to him and pulls it down from his mouth.
“What is happening?” She demands.
“Sally, get out of here!” Her father says. “They’re not gone.”
“Who, Dad? Who is not gone?”
“I don’t know! I don’t know! They showed up, tied me up, and then, I heard a gunshot! Where’s Celia?”
“Who’s Celia?”
“My daughter,” he says with tears in his eyes, and she stares at him. “I’m your daughter. You have a whole other family? Who are you?” She stands and, with hands on her hips, turns her back on him. “I have no words other than, who is Celia?”
“Your sister.”
Ha. Sally laughs. “My sister? A sister I know nothing about? What the hell, Dad?”
“Sally, they’re still here! I know they are!”
“Who, Dad?”
“I don’t know!”
“You must know,” she says, and her eyes find the painting. It’s a Renoir – The Luncheon of the Boating Party. Her favorite – since childhood. She’d had it when she was younger … and then, one day, it was gone. Her father said they must have ‘lost it in the move’ when they moved from one suburb to another. He was always gone for work – days, weeks at a time. Sally and her mom left in the suburbs, living their small-life existence, knowing nothing better, never guessing that the man had an entire other family! “That’s my painting!”
“Sally, please, get out of here!”
“That’s my painting, Dad.”
“Untie me, Sal.”
“Don’t call me, Sal.” She walks toward the painting and takes it off the wall, all the while her father saying, “Sal, untie me. Sal, they’re still here. Sal, where’s Celia! Sal, check on Celia! Who was shot, Sal? For God’s sake, tell me! Help me!” She doesn’t. She sees the safe, and she leans in close to the lock. She listens through her father’s protestations. “There’s nothing in there, Sal. It’s empty. Sal, please, find Celia! Tell me if she’s okay!”
The lock acquiesces to Sally’s skill, and the lock opens.
She opens the safe, and inside an envelope lies against the right side wall. She takes it out, and her father says, “Sally, leave it. It’s not mine. They’ll kill me!”
She whips her head around and says, “I thought you didn’t know who they were.”
No longer feeling bad about breaking into the safe and feeling no compunction to assist her father, she tucks the envelope into her jacket pocket just as her phone buzzes.
“Find anything interesting in that room?”
This time, she responds. “Yes, I did.”
“Leave him. Bring the envelope. Friday. Noon.”
Sally closes the safe and sets her painting back on the wall, covering it. She knows her father will say nothing about her taking the envelope – too much guilt and anxiety cover the man whom she realizes she doesn’t know at all.
“Untie me, Sal.”
“I think I’ll let someone else do that,” she says and stares at her father. “I’ll let them know there is a man tied up on the upper level.”
“Sally, please … find Celia.”
“Whatever, Dad,” she says with sarcasm in the sound of his moniker that she’d used her entire life. She leaves the room, her heart pounds now for no longer the same reason as before. Now, her father is mixed up in her mother’s disappearance, in her own deceit, and the magnitude of her own actions swam in her head – the entire scene – is it because of her? Is it because of her father? What will her sergeant uncover? They will all know!
Quickly, she makes her way down the stairs and out the front door.
“There’s a man tied up inside. Second floor. I continued my sweep to ensure no one else is in the house. I saw no one,” she lies, and then she sees Celia.
The tears still fall down the face of the girl whose face she’d seen smiling in photos inside the house. She has to leave, and she’s taking Celia with her.
“Celia?” she says as she approaches the girl. In a whisper, she says, “Our father is tied up in a chair upstairs, and you’re coming with me.” The girl’s eyes widen, and she nods.
To her sergeant, Sally says, “Taking her to the station for questioning.”
“Okay,” the sergeant says. He has no reason to question Sally’s actions. She’s a model cop. Above reproach. Sally has to move fast to stay ahead of this game. She can’t have the sergeant finding out about her; she has to save her mom, solve this situation, and keep her sanity. Celia will help whether she wants to or not.
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This adjective/noun combo comes to you directly out of “The Word Pool” – I didn’t cheat. I opened the book, took the first adjective I randomly selected with my finger (without looking), and then I turned to the noun section and randomly selected a noun with my finger (again, without looking). Maybe I wanted to choose something different, but no, we go with those FIRST finger-chosen words! Ta-da! It’s that complicated. Now, we write or draw; whichever we do, we create!
~ Dacia Cunningham, creator of “The Word Pool: Quiet Chaos: A Creative Writing Toolkit / Game of Words, Meaning, and Imagination.”